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the prodigy in
UK 2005 |
Corn
Exchange
Guest Review by
James Jupiter:
Friday,
August 4th 2005 - Edinburgh
First I'll get my excuses out the way.
Forgive any set order errors as this is written purely from memory.
Also, for a change I decided to stand near the back of the venue so
that I had some room to 'throw down some moves' rather than stand in
the crush at the front. As I was near the back I couldn't always see
what was going on onstage so apologies for the lack of
detail about what was going on onstage.
I'll cut to the chase and get straight to the gig.
Support was provided by a DJ but nobody seemed to know who it was.
During the DJ set, Liam kept appearing every now and again at the
side of the stage air punching along to the music. The crowd cheered
every time they saw him.
At around 9.15pm Liam walked onto the stage to where the DJ was,
started the Primal Scream track 'Exterminator' and then walked
offstage again.
When 'Exterminator' finished the 'Wake Up Intro' started. The
Prodigy enter the stage.
'Wake Up Call' does exactly what it says! The venue is packed and
the place starts bouncing.
When 'Wake Up Call' finishes Maxim says "If that didn't wake you up
then this will" leading into the new 'Wake The Fuck Up Jam'. This
track uses parts of Nightbreed's 'Spitfire' remix and 'Wake Up
Call'. The beats are really rocky and the track is damn fast!
Next up and it's a crowd sing-a-long of 'No Good (Start The Dance)'
as Liam teases the crowd by playing the "You're no good for me, I
don't need nobody, don't need no one that's no good for me" samples
as the lead in to 'Their Law'.
'Their Law' has been in the set for eleven years but it still has
the power to start a riot!
Next up is 'Warning'. In the previous version of 'Warning' Keith did
his vocals over the beats. This version seems a bit stop/start. The
new (very good) beats stop and Keith does his vocals in the gaps
before the beats drop in again. There are around four 'stops' for
the vocals. As a live track this seemed to disrupt the flow.
Everyone seemed to stop every time the beats stopped. Don't get me
wrong, I liked the new version but the number of stops in it seemed
to mess with the crowd energy from where I was.
There was a synth 'Fill' after 'Warning' (for everyone to catch
their breath) that lead into 'Breathe'. The place really took off to
this and everyone was jumping.
Another 'Fill' followed with Maxim saying "Let's take a flight"
which lead into 'Spitfire'. This track is perfect for the live show.
When the massive beat drops the place explodes. A real crowd rocker.
In an amusing change from the usual lyric Maxim started talking
about the different type of schools saying amongst other things
"I'll take you back to my Secondary school to teach you how to build
bombs". 'Back 2 Skool' is one of my favourites. Massive beats with
the sitar type music mid-part followed by more massive beats.
Another dance floor destroyer.
Next up is 'Firestarter'. I really like the new version with the
Rage Against The Machine 'In My Eyes' sample and the beefed up
drums. This remix has given the track a new lease of life for me. As
with 'Breathe' the crowd reaction goes through the roof to this.
Keith starts the "A little action is all I need" vocal leading into
a pretty long 'Action Radar' fill. I think it lasted a couple of
minutes and had some great beats running through it. It seemed more
of a proper track than the previous 'Fill' version I've heard live.
Good stuff!
The opening beats to 'Hotride - El Batori mix' fire up. A more
accurate description would be the 'El Batori mix' re-pumped until it
is almost 100% made up of rock hard beats. It really works as a live
track for me.
Now we come to the surprise of the show - 'Memphis Bells'. This is
the first time it has been played live in full to my knowledge. It's
a different mix from the album version and once again this track has
been pumped up for the live show. Maxim's vocals include the line
"Rude Boy". This version is sort of a fast 'rude boy skank' type
track (if that makes sense) with the jittery
stop-start beats. I loved it. It's always good to chop and change
the set around and throwing in this track worked for me.
Next is the recently reintroduced 'Voodoo People'. Another track
that has extra new beats that give it a refresh. As a side note, one
sample I always thought would be good to use with this track is the
"Fucking voodoo magic man.....ha ha ha ha" line from the film
'Predator 2' which was also used on Hyper On Experience's 'Lord Of
The Null Lines'. It seems tailor made for the
track.
The Prodigy walk off the stage and it's time to shout out for the
encore. After what seemed like ages they return with 'Poison'. I'm
pretty sure I heard Liam playing a sample from Environmental
Science's Dub mix throughout the track. Maxim was calling out the
spelling "P.O.I.S.O.N" and getting the crowd to spell it back. The
chest vibrating bass was in full effect on this when the beat drops
- BOOM! 'Poison' merges into 'Method Beat' with Maxim doing his
"Poison, Remedy" vocals faster and faster until the end when 'Smack
My Bitch Up' kicks in. Another one of my all time favourite tracks.
Acid madness and fast breakbeats. You can't go wrong. I loved it
when that new Kool Keith sample (said to be taken from the full
vocal version of 'Wake Up Call') drops in. You could tell a lot of
people in the crowd seemed to be thrown by it.
The gig 'ends' again until the new beats that open 'Out Of Space'
kick in. Everyone was dancing and jumping along as they shouted out
the vocal. A huge crowd pleasing finisher to the set.
The gig finished at about 10.45pm having lasted around an hour and
fifteen minutes.
Some random notes about the gig: -
It was damn hot! A couple of times I saw Maxim throwing bottles of
water into the crowd.
Some people in the middle of the dance floor were texting on their
mobiles during the gig. Can't it wait?
Someone asked me "Have you got any pills?". This often seems to
happen to me at Prodigy gigs. Is there something about my dancing
that makes people think I'm off my face on drugs? Ha ha ha.
I had a great time, met some great people and I can't wait until the
next gig.
by James Jupiter
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